Historical Figure
Alexandre Dumas
1802–1870
French writer and dramatist (1802–1870)
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Biography
Alexandre Dumas, also known as Alexandre Dumas père, was a French novelist and playwright.
Timeline
The story of Alexandre Dumas, told in moments.
His play Henri III and His Courts premieres at the Theatre Francais. It's a sensation. Dumas is 27, self-educated, and has been in Paris only five years. He'd arrived with almost nothing and talked his way into a clerical job with the Duke of Orleans.
The Three Musketeers and The Count of Monte Cristo both serialize in the same year. He employs collaborators, most notably Auguste Maquet, who outlines plots while Dumas writes the dialogue and action. He's producing work at industrial scale. The serials sell millions.
Builds the Chateau de Monte-Cristo outside Paris. It's extravagant, ridiculous, and he can't afford it. He throws parties for hundreds of strangers. He keeps open house for anyone who shows up. He'll be bankrupt within a few years.
Joins Garibaldi's campaign to unify Italy. He's 58. He buys weapons, sails to Sicily, and founds a newspaper in Naples called L'Independant to support the cause. Not a journalist's whim. He stays for three years.
Dies at his son's house near Dieppe. Nearly penniless. His published works total 100,000 pages. In 2002, his remains are moved to the Pantheon. The coffin is draped in blue velvet embroidered with the Musketeers' motto: "All for one, one for all."
In Their Own Words (12)
Translation: The chains of wedlock are so heavy that it takes two to carry them; sometimes three.
Attributed to Dumas in: Elizabeth Abbott, Une histoire des maîtresses, Les Éditions Fides, 2004, p. 16., 2004
There is a woman in every case; as soon as they bring me a report, I say, 'Look for the woman'.
See wikipedia cherchez la femme on how this phrase has come to be used., 1864
Nothing succeeds like success.
Ange Pitou, Vol. 1 chapter 7 (1854)., 1854
Look for the woman!
1854
Eh! sire, that is the fate of truth; she is a stern companion; she bristles all over with steel; she wounds those whom she attacks, and sometimes him who speaks her.
1847
Artifacts (15)
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